Status: Completed
Progress: 01 / 01
Type: BDRip
HDR type: Dolby Vision – Profile 8, BL+RPU, HDR10 compatible
Display size: 3840×2160
Video codec: HEVC (Ma10P)
Audio format 01: Dolby TrueHD 2.0 + Dolby Digital Plus JOC (Atmos) – 5.1
Audio format 02: Dolby TrueHD – 7.1 (Atmos) + Dolby Digital AC-3 Surround EX – 5.1
Audio format 03: Dolby TrueHD – 5.1 + Dolby Digital AC-3 – 5.1
Audio format 04: Dolby Digital Plus E-AC3 – 2.0 (Audio Commentary)
Audio format 05: Dolby TrueHD 2.0 + Dolby Digital AC-3 – 2.0 (BD Menu)
Chapters: yes
Subtitles: ENG/JPN (sup)
BDMV Provider: U2
CD Provider: U2
Scans Provider: U2
Encoder: Jensen
AniDB: link
↓ Torrents ↓
Хочется узнать, сделаете ли вы рип Алисизации?
Да, когда нибудь я ее доделаю
I’m trying to convert a TrueHD Atmos track to an E-AC-3 Atmos track, but I can’t find a clear method even after googling. How did you manage to convert it?
Plazik@ixbt:
In Dolby Reference Player you can programmatically decode E-AC3, AC4 and TrueHD with Atmos, view information about the file and play sound for different speaker layouts (up to 9.1.6). The program itself is not very informative; you can only observe which sound channels are active at the moment.
Through the drp console program you can decode audio into a WAV file, but only in 2.0, 3.1, 5.1 and 7.1.
I looked at how the program works, it was made using GStreamer, the decoders were made in the form of plugins:
.gst-inspect-1.0.exe –gst-plugin-path gst-plugins
The most interesting plugin is dlbaudiodecbin, which is responsible for decoding the parsed stream:
.gst-inspect-1.0.exe –gst-plugin-path gst-plugins dlbaudiodecbin
I sketched out a small script https://gist.github.com/Plazik/e950267cc580bcde371ea7879aaa3d5d for decoding E-AC3 and TrueHD into separate WAV files (up to 16). Usage:
python atmos_decode.py -i atmos.thd
By default, it is decoded in 9.1.6 (16 files), with the -c parameter you can select the desired configuration:
2.0 – channels: L,R
3.1 – channels: L,R,C,LFE
5.1 – channels: L,R,C,LFE,Ls,Rs
7.1 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs
9.1 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Lw,Rw
5.1.2 – channels: L,R,C,LFE,Ls,Rs,Ltm,Rtm
5.1.4 – channels: L,R,C,LFE,Ls,Rs,Ltf,Rtf,Ltr,Rtr
7.1.2 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Ltm,Rtm
7.1.4 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Ltf,Rtf,Ltr,Rtr
7.1.6 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Ltf,Rtf,Ltm,Rtm,Ltr,Rtr
9.1.2 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Lw,Rw,Ltm,Rtm
9.1.4 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Lw,Rw,Ltf,Rtf,Ltr,Rtr
9.1.6 – channels: L,R,C,LFE,Ls,Rs,Lrs,Rrs,Lw,Rw,Ltf,Rtf,Ltm,Rtm,Ltr,Rtr
2. Create a project in DaVinci Resolve and make Atmos TrueHD
3. Create 2 buses, Atmos Master and Bed 7.1.2
4. Create 16 mono channels and upload the corresponding WAVs to them:
5. Link all channels in 9.1.6 (Fairlight – Link Group) – the channels in the panorama will scatter approximately into their places, and immediately click Unlink:
6. We throw channels L, R, C, LFE, LS, RS, LRS, RRS, LTM, RTM to the Bed 7.1.2 bus, channels LW, RW, LTF, RTF, LTR, LTR to the Atmos Master bus and to the same throw the bus Bed 7.1.2:
7. Check the coordinates of the channels in the panorama.
Channels L, R, C, LFE, LS, RS, LRS, RRS are already in place. For channels LW, RW we correct the coordinates to (100L (R), 68F (9.1.6 for some reason links them to 50F)), LTF, RTF, LTM, RTM, LTR, LTR – “50L (R), 50F, 100U “, “50L (R), C, 100U”, “50L (R), 50B, 100U”
8. Output the ADM BWF file. (Fairlight – Immersive Audio – Export Master File).
9. Encode Dolby Media Encoder into Dolby TrueHD E-AC-3 JOC format
Wow, thank you so much for the detailed explanation. I’m really happy I finally found a method!
Is there any way to get Dolby Media Encoder separately?
https://rutracker.org/forum/viewtopic.php?t=6360421
Should I set the channels to 7.1 in the bus format settings? Also, how should I configure the send and output settings in the bus assign settings?
https://drive.google.com/file/d/1FA1HCsN-ko0nViwGIo2nILDooVsITenH/view?usp=sharing
Keep the finished project with seven settings. Through DRP you need to unpack the original Dolby Atmos into 9.1.6 (16 WAVE) channels, and then place it in the project at the link above inside Davinci.
https://rutracker.org/forum/viewtopic.php?t=2660561
https://i.postimg.cc/B6KyfP1P/2024-06-24-032131.png
If you are interested in more information, here is a link to the instructions. which were written jointly with me. Please perform automatic translation from Russian into English. I don’t know any other materials on this topic.
>configure the send and output settings in the bus assign settings
https://drive.google.com/file/d/1VUFV-IL7d4Du3cHmiKRs7TEkAUWc5Cbs/view?usp=sharing
https://drive.google.com/file/d/1kpYyRtSN3-e6Y70-8ebQFGNEXAnBg8nI/view?usp=drive_link
I followed the settings, but why is the Export Master File option disabled?
In General Settings, enable Immersive Audio.
I succeeded! Thanks for the detailed explanation. I’m really happy that I can now play Atmos on Apple TV.
Thanks. Stupid question: Where would you advise me to go to get alternative subs such FR?
Top front and rear channels are not separated with these settings?
What exactly are you talking about? Custom Atmos eac3 joc has a maximum scheme of 9.1.6, that is, the front and rear channels are separated.
I am trying to create Dolby Atmos test sweeps for home theatre speakers. Each sine sweep should play on exactly one speaker. When I try that with top front left for example, some sound is leaking on top rear left as well which makes measuring that speaker’s impulse impossible. Nothing worked with TrueHD.
I can’t predict what exactly is going wrong with you because I can’t see it all. But I advise you to use ready-made Dolby test tones, so as not to create them yourself, without having a Dolby atmos render, which has a significant effect, since in this case you can only create a light atmos (discrete).
https://drive.google.com/drive/folders/1JxmeedtAtgmoafXv9rroiDOS2vEX7N4b
Many thanks for your help. I think you will understand my problem if you check my drp file and the final .mlp test result:
https://drive.google.com/file/d/1HS1RggB3ndKxAlNLnQ0d0jmig9rQd76d/view?usp=sharing
Please check the media info for your final Atmos ADM. I’m interested in the Number of channel formats parameter: 16. Are you 16 there?
Format: MLP FBA 16-ch
Number of dynamic objects:15
Bed channel count: 1
Format/Info: Meridian Lossless Packing FBA with 16-channel presentation
Not mlp (truehd). Atmos ADM wav in DaVinci Resolve.
Yes and after I encode them in DME to .mlp
I solved the problem this morning by moving the top speakers fully to the corners and dimming their volumes by 10dB for each top channel sweeps. Front wides were still problematic though. They always bleed into surrounds.
Still, thanks for your help and all the great info you are sharing here.
Oh, okay. I just assumed a different problem. When channel linking is done incorrectly, your Atmos ADM will have 15 channels listed, not 16, and in this case it will start to mix up the sound. That’s why I wanted to see mi on ADM.
Thanks for the rip, I have 7.1 AVR, depend on the configuration i can set it 9.1 or 7.1.2 ,the problems is ,my AVR does not support atmos nor dts:x ,is there any way to utilize my height channels with converting ,is there any way to convert turehd or dd+ tracks with dolby pro logic iiz flag enabled
No, if Atmos is not supported, you will not be able to use overhead channels.
Oh that is sad to hear , that means there is no use for my height channels ,Thanks for help , is there any thing i can do except buying atmos avr , i can turn on pro logic iiz but it only redirect helicopter and rain noice to the height channels